Contributor Anthony Boutard writes: "Here is a note I prepared regarding Otello’s [Pebbles, one of the dried beans Anthony grows at Ayers Creek Farm]. On my restaurant availability list, I usually include a 'photo of the moment' followed by a note placing it in context. One week I didn’t have time to comb my photo files and draft a note, so I simply stated that due to a lack of a sponsor, there was no photo. That led to a series of fictitious sponsors."

Photo of the Moment
Generously Sponsored by: Bard, Rossini & Verdi Concepts™
Cantiamo, Salce

In 2015, we were sent an irritatingly small package of beans by Nancy Jenkins, a food writer and olive oil maker. People often leave kittens and cats at farms assuming they will be cared for in some unspecified way; mostly and fittingly, the caregivers are the farm’s coyotes or bald eagles always looking for a meal more exotic than the usual fare of mice and voles.

Likewise, small packages of pretty beans are sent or given to us in the hopes that we will become their genetic stewards. Sometimes, an endearing note explains that the beans are a family heirloom and were found in a late aunt’s garage where they had been stored for five years in a mason jar. As a further tug on the heartstrings, and doubling down on their pedigree, a charming name is given to them. A name in a tongue from the old country amps up the hype. Somehow, sending them to us assuages the custodian’s guilt of not carrying on the family tradition themselves. Despite claims made by various wags about sacred beans found in some ancient granary, garden beans are viable for about two years, after that their vitality drops off the cliff. Such claims are just as likely as the old temple cat that is still haunting the pyramid some 5,000 years later.

The package in question had a note, written by another person in the chain of stewardship. It noted that the bean was grown by someone called Otello who died early and had praised the bean as growing well in poor soil. Not much of an endorsement, and not a word about its culinary qualities. Worse, the package contained what appeared to be an assortment of types, something bean growers work hard to avoid. The custodian’s tag noted they were named "Fagioli bianci • grigi," again no first-hand endorsement of their culinary merit.

The package would have been relegated to the ACF seed museum (i.e. compost) except that Myrtha Zierock [an intern at the farm that year] and I were planting a block of soy and had space for a few more seeds. Some beans are promiscuous and will contaminate a field of a carefully managed commercial crop. Soy and garden beans do not cross pollinate so there was not harm in filling out the row. We joked that the beans looked like little pebbles and tossed them into the seeder. At harvest, we cooked up the beans and found they had their redeeming qualities. Because of their appearance, we named them Otello’s Pebbles.

In preparing for the 2020 harvest, we went out to select the 2021 seed crop and discovered the beans had drifted away from the original beguiling mix that prompted our impulsive sowing, and were now almost entirely white or light gray. The translation of Otello’s name for them was "beans white • grey", so they were probably closer to his beans than the “pebbles” passed on from their custodian—those we received in the mail. We combed the field looking for every plant that produced something other than white and light grey. In the lower dish (top photo), you can see the restored variation which is close to those in the seed package Jenkins sent to us.

Does it matter? I think so. We grow many carefully managed beans, but for a bean suited to the stew pot, a bit of a topsy-turvy mix of flavors and textures make for a far more interesting ingredient. I assumed that the genetically chaotic mix would take care of itself, but I was wrong. We have to be just as diligent in our pebbled seed selection as we are with zolfino, for example. It is a bit more of a challenge because we need to make sure we have a full and balanced selection of the original colors, as opposed to selecting for just one color.

We have tried the new selection on the plate and last September’s work was worth the effort. The restructured variety is head-and-shoulders better flavored than the "white • grey" mix corresponding to Otello’s original bean. Frankly, it is no wonder Otello failed to rhapsodize over their quality. Indeed, it is now up there with the all of our other beans, even better than that first harvest that caught our attention. If you think Italian makes the bean sound sexier, then call it sassolini di Otello delivered in the style of Keven Kline, all the same to me. But be sure to try them. You won’t regret heeding the farmer’s suggestion.

Note: The sponsor’s motto is based on Act 4, Scene 3 of Othello when Desdemona sings the Willow Song in her distress and betrayal. The words are condensed from Verdi’s version “Salce, salce, salce, cantiamo, cantiamo, cantiamo, salce, salce, salce (willow, let us sing). I am partial to Rossini’s version, though. Here is a beautiful version in recital by Joyce DiDonato accompanied by David Zobel.

Top photo: Otello’s Pebbles, 2020 (upper) and 2021 (lower) by Anthony Boutard.

* In an exchange about the label (above), Anthony clarified that, alas, the farmer is not Otello: "Otello was long dead when I received the beans. The Otello's block is influenced by the simple, bold renderings of the early 20th Century Mexican woodblock prints, particularly those of María Izquierdo and David Alfaro Sigueiros."

First, I want to thank everyone who has contacted me to ask how Dave is doing after his accident. He's healing and making progress with help from his physical and occupational therapists from Providence Home Health, a benefit we never imagined we'd need but one we're incredibly grateful to have. Second, an apology for not posting much since then—caregiving, as many of you already know, is pretty much a full-time gig or, as our friend Chad said, "you just take it one hour at a time."

Thankfully, by now we're at the point where we're taking it a day at a time, and each day shows small improvements over the one before. He's been able to go back to making his stunningly delicious sourdough bread even though he's still confined to a wheelchair—we've dubbed it "Wheelchair Sourdough"—and this morning I encouraged him to take a stab at his orange currant scones.

Yes, it is admittedly a self-serving suggestion, but I prefer to think of it as fitting into his occupational therapy regime. (His OT therapist, Debbie, I'm sure would agree, since she was very excited to learn he loves to bake.)

If you'd like to take a stab at making them, from a sitting position or not, I can guarantee you're going to feel so much better!

Dave's Orange Currant Scones

3 c. (390g) all-purpose flour
1 Tbsp. sugar
1 Tbsp. baking powder
3/4 tsp. sea salt
Zest of 1 orange
1/2 c. (1 stick) frozen unsalted butter, cubed
1 large egg
1/4 c. sour cream
3/4 c. whole milk
1/4 to 1/3 c. currants

Preheat oven to 350°. Line a sheet pan with parchment paper or a baking mat.

In a large mixing bowl, toss dry ingredients and zest together with a fork. Transfer mixture to a food processor and add the cubed pieces of butter. Pulse several times until the texture is slightly coarser than cornmeal. Put the mixture back in the mixing bowl and add currants, tossing with the fork to combine.

In a small mixing bowl, combine the egg, sour cream and milk and mix thoroughly. Make a well in the center of the flour and pour in egg mixture. Mix ingredients together with a spatula until a loose dough forms, then press dough into a large ball. Turn out onto floured surface, cut the ball in half and knead each half four or five times with your hands.

Pat each half into a 6-inch circle. Using a knife or metal-bladed bench scraper, cut each disk into quarters. Place them spaced apart on the baking sheet. Bake until light golden brown, about 22 minutes; rotate the pan front to back halfway through.

Leftover scones—it happens, but rarely—can be placed in a zip-lock bag and refrigerated or frozen for later.

Carol Boutard and her husband Anthony have been dear friends of mine since we first met fourteen years ago at the Hillsdale Farmers' Market, where I'd sought them out after tasting their incredible blackcap jam. (I knew we were fated to be fast friends when she and I subsequently plotted to start a catalog of sexual aids featuring foods like that jam that were so good you wanted to lick it off.) Their Ayers Creek Farm is legendary in the region for the quality of the organic products they have grown on its 144 acres for more than 20 years.

Carol has published her first book of poetry titled "Each Leaf Singing," a paen to the life of that farm and an elegy to both Anthony, who is living with a terminal illness, and the farm itself, which she celebrates at the same time as grieving its eventual loss.

But what a life they've had there. I wrote in my very first post about this incredible couple, "When they started talking about their 144 acres near Gaston and their eyes lit up when they told about the arrowhead lilies that grow there and how they changed to a drip irrigation system because the overhead sprinklers were washing out the birds' nests, I knew this wasn't going to be an ordinary evening.

"These two are as committed to the stewardship of their land as they are to the quality of the berries and grains they've become known for. It's evident in the way Anthony (known as the Bard of Ayers Creek) describes how the lake on their property is returning and that the least bitterns, herons and eagles are coming back. And, too, when Carol said that they stop picking the berries when the fruit loses its brilliance after the first few pickings, even though there's fruit left on the vines."

As Rosemary Catacalos, Texas State Poet Laureate Emerita, writes of Boutard's poems, "After decades of intimacy with the turning of the earth and its seasons, Caroline Boutard has given us a book brimming with an ancient wisdom. In these poems our harried modern lives can slow down and remember the blessed comings and goings of all things. We can learn again what it means to grieve and celebrate in the same breath. Because we must. Trust this voice, 'dumb on sun and sugar,' to sing you into now and whatever comes next."

A poem titled "Old Oak" is emblematic of that singular voice.

Old Oak

I leave the work and rush out
to early spring
with no more plan than a good walk
as robins and juncos,
flashing like jackknives,
cleave low angles of afternoon light.
No route than stepping round the mud,
I pass through a veil of smoky air,
its note of orange blossom
from old oak dried slow,
then burned in a clean hearth,
to breathe in
this sweet musk and find
every grassy thing along the way roused
by the warm day, their stems extended
like antennae tuned to the fresh season.
I stop to harvest
from the ruddy mix of plants
galloping through the field—
sow thistle and poppy,
wild radish, dandelion, cress,
so full of healing
you have to eat them standing up,
everything around me
pushing toward renewal.
The plan here is more life,
then more.

Carol is launching this stunning collection with a virtual reading on Thursday, Sept. 30, at 7pm (PST) via Zoom (click on this link to attend).

Read Anthony Boutard's essays on Ayers Creek Farm that have been a vital part of Good Stuff NW here and here.

Normally I don't bring up personal issues on Good Stuff NW. It's here to help me understand and then explain to you the issues around our food system and how it works, and how we can support our local farmers and producers by eating seasonally from the bounty our region offers. But then something came up that needs to be addressed.

Over the weekend Dave had an accident and was loaded into an ambulance and whisked off to Oregon Health Sciences University (OHSU). I haven't seen him since that moment.

To its credit, OHSU has forbidden visitors, even family members, from the hospital, due to the danger of COVID-19, especially the surge of cases from the Delta variant that is burning through the country. This surge is primarily among the unvaccinated, who account for more than 80 percent of new cases in Oregon and nearly all of the deaths.

So your vaccination status is directly affecting me.

I can't be there to hold Dave's hand, to stroke his cheek, to arrange the covers on his bed, to give him a cup of water, to call the nurse if he needs assistance. I can't get to know his nurses; I can only be his advocate from a distance.

This is because there are people out there, and I'm hoping my readers are not among them, who refuse to get vaccinated against the virus. They are causing it to spread and filling up our hospitals and ICUs, exhausting our already strained health care system, not to mention the essential workers in that system. (Obviously I'm not talking about those few who can't get the vaccine for health reasons, or about children under 12 who are not yet eligible. They're victims, too.)

And those unvaccinated people are keeping me from caring for my husband.

If you have a relative or friend who is unvaccinated, share this story with them. They're the reason Dave is lying in a hospital bed alone with only overburdened hospital staff to make him feel loved and cared for.

Locate a vaccine provider in Oregon here. Locate a national vaccine provider.

Tomato season is at its peak, cucumbers still hang heavy on their vines and peppers of all colors are finally getting the long hours of sun and heat they need to fully ripen their fruit. Cookbook author Nancy Harmon Jenkins posed the perfect solution when I found myself with all those ingredients just the other day:

"What better excuse for a bowl of chilled gazpacho for lunch? Or dinner, or an afternoon snack for that matter? In Andalusia, where this healthy bowl originates, they keep a big pitcher of gazpacho in the refrigerator at all times, ready for anyone who feels the need for a quick pick-me-up."

The tomatoes I had from my neighbor Bill's large garden were large and perfectly ripe, begging to be savored fresh rather than cooked, while their juices and flesh were at their sweetest. Bill had also gifted me a cucumber at the same time, and I had a few peppers from my CSA share.

Call me unimaginative, but those perfect tomatoes were golden yellow, so the idea of making a gazpacho was a slap-my-forehead revelation since I'd only had it with the usual red tomatoes. Of course it was divine, and couldn't have better suited the moment. Nancy has a recipe that I'll be trying soon, but here's a slightly simpler version based on Jim Dixon's from years ago.

Tomato Gazpacho

5 to 6 medium tomatoes, roughly chopped
1 small cucumber, peeled
1 mild green chile (Anaheim or, for a little more kick, poblano), seeded and chopped
1/2 yellow onion, roughly chopped
2 cloves garlic
1-2 Tbsp. white or red wine vinegar, to taste
1/2 c. olive oil
Salt to taste

Put tomatoes into the blender. Add the rest of the ingredients and pulse until the ingredients begin to emulsify, stopping to push the tomatoes down if they aren't moving. When they're mostly blended, add the vinegar and salt and blend until very smooth. With the motor running, slowly add the olive oil until completely emulsified. Pour into a glass or ceramic container and chill for one hour. If it's too thick to pour, add a little water, though it should be served fairly thick, not runny.

A coalition of community, small farms and environmental groups is collecting signatures on a petition demanding that Governor Kate Brown deny Easterday Dairy a permit to open a 30,000-cow mega-dairy on the site of the disastrous Lost Valley Farm just outside of Boardman, Oregon.

Their timing may be fortuitous, since last month the Oregon Department of Agriculture (ODA) released a finding that the property was found to have elevated levels of nitrates in the soil, a dangerous pollutant known to cause methemologlobinemia, or “blue baby syndrome,” in infants, as well as the risk of elevated heart rate, nausea, headaches, abdominal cramps and an increased chance of cancer, especially gastric cancer, in adults.

So far the group Stand Up To Factory Farms has collected more than 1,400 signatures on the petition it plans to present to Governor Kate Brown tomorrow. (If you are interested in signing the petition, you can do so here.)

This is the second permit application the Easterday agricultural conglomerate has made to the ODA. The first application was withdrawn by Cody Easterday after the ODA put it on "indefinite hold" when Easterday pleaded guilty in federal district court to defrauding Tyson Foods, Inc., and another company out of more than $244 million over a period of six years by charging them for the purchase and feeding of more than 200,000 cattle that existed only on paper, a scheme dubbed "Cattlegate." Many of the other Easterday family holdings subsequently declared bankruptcy in court.

In July, a permit application naming Cody Easterday's 24-year-old son, Cole, as the applicant was filed with the ODA in a move widely seen as a desperate ploy to keep the property that the Easterday's bought for $66.7 million in 2019. An article in the Capital Press at the time said Easterday had plans to invest another $15 million in upgrades, including completion of a wastewater treatment system that was never finished, as well as bringing the farm into full environmental compliance.

According to a Stand Up To Factory Farms press release, “a broad swath of community, environmental, animal welfare and public health organizations have raised concerns given the Easterday family’s financial distress, the outsize impact mega-dairies have on drinking water quality, climate change, and the enormous quantities of water they use.”

The coalition notes that the mega-dairy, located on a federally designated Groundwater Management Area (GWMA), would use “20 million gallons of water per day in the midst of a historic mega-drought and generate 128 million gallons of manure-contaminated waste water in an area with dangerously high nitrate levels [already] in the community’s drinking water.” (See my article, "Big Milk, Big Issues for Local Communities" about the problems these industrial-scale factory farms present.)

Read more of my coverage of the Easterday Dairy story.

Top photo from Stand Up to Factory Farms.

"Foods like yogurt, kimchi, sauerkraut and kombucha increased the diversity of gut microbes and led to lower levels of inflammation," according to an article in the New York Times describing a new study from researchers at Stanford University.

This is welcome news considering the pounds (and pounds) of cucumbers and beans I've been getting from our CSA this summer and turning into pickles. If you've read past posts about my methods for preserving the hundred-plus pounds of fabulous Astiana tomatoes from Ayers Creek Farm that I roast every summer, you'll know that I'm not big on huge messes or laborious processes.

Which is why pickling vegetables by lacto-fermentation is high on my list. First, it's ridiculously easy…all it takes is salt, water and time, often a week or less. You can use herbs to flavor it—I'm partial to traditional dill, garlic and mustard seeds for cukes and "dilly beans"—but plain is just fine, too. Second, it requires no special equipment, just a clean glass jar with a tight-fitting lid, and no cooking or heating, a godsend on hot summer days when fresh vegetables are cascading in from local farms. Third is the health aspect, outlined in the study linked above.

But really, I wouldn't bother with it if these pickles didn't taste great. Crunchy, briny without being overly tart, they have a freshness and snap that you don't get from water bath or pressure-canned methods. The only drawback to this method is that because the live bacteria hasn't been killed by cooking, these pickles aren't shelf-stable and will need to be refrigerated.

So far this summer I've made sauerkraut, the aforementioned cucumber pickles and dilly beans, and will soon be making a couple of quarts of Hank Shaw's sour corn to have with tacos, relishes and salads. After that, who knows? I'll definitely keep you posted!

Just click for recipes for sauerkraut, garlic dill pickles, quick refrigerator pickles, and Hank Shaw's Southern Sour Corn.

Lacto-Fermented Garlic "Dilly" Beans

2 clean wide-mouth quart jars
2 lbs. green beans
2 qts. water
6 Tbsp. sea salt
4 dill flower heads
1 head garlic, cloves separated and peeled

Make a 5 percent brine solution by adding the salt to the 2 quarts water in a saucepan or bowl. Stir until the salt dissolves completely.

Push one dill flower head into the bottom of the quart jar along with two cloves of garlic. Holding the jar on its side, start packing the beans into the jar along with half of the garlic cloves. The tighter the beans are packed, the less likely they'll be to float up to the surface during pickling. Make sure the beans stay 1" below the rim of the jar; if they're too long, simply snap them off.

When you can't jam any more beans into the jar, take a second dill flower head and push it into the upright beans, again trying to keep it 1" below the rim. Stir the brine to dissolve any remaining salt crystals and pour it into the jar of beans until it rises to 1/2" below the rim.

Place a lid on the jar and screw it down until it's finger-tight, then back it off about a half turn to give the bacteria room to "breathe" and for any brine to escape during pickling. You can also use a commercial pickle pipe secured with a canning ring for the same purpose, or simply take half a #4 or larger paper coffee filter, place it over the top of the jar and screw it down with a canning ring.

Repeat with second jar.

Place both jars on a plate or in a small baking dish to catch any liquid that escapes and keep them in a cool, dark place (like a basement) for several days. In a couple of days you will notice the brine getting cloudy, and it will have a distinctly vinegar-y smell. This means your brine is working! After five days you can test the beans to see if they're to your liking or leave them for another couple of days and they'll continue to get more pickled. (I usually leave them at least a week to 10 days.)

Because this method does not kill the (healthful, probiotic) live bacteria in the brine through processing in a water bath or pressure canner, the pickles are not shelf stable and must be stored in the refrigerator. If you used a pickle pipe or coffee filter for the pickling process, simply remove them and replace with a solid lid or canning lid and ring.

NOTE: When you open the jar you may see a spongy, grey mass floating on top of your pickles (photo, right). As Douglas Adams wrote in "The Hitchhiker's Guide to the Galaxy," DON'T PANIC. This is perfectly normal and your pickles are not affected.  The spongy mass can be easily lifted out and disposed of. Your pickles are good to go!

I met Mark Doxtader of Tastebud when I wrote the Market Watch column for the Oregonian's FoodDay section, and he was running his wildly successful wood oven pizza business—one of the city's first mobile oven businesses at the time—at the Portland Farmers Market. He has consistently offered Portlanders the highest quality handmade breads, bagels, pizzas and salads—not to mention that heavenly porchetta—made from locally grown produce and meats. Like Cory Carman's essay from last week, I felt this message from his newsletter was invaluable to understanding what the people who make up our food system are dealing with.

For continued safety and precaution, we ask that everyone continues to wear masks when picking up orders. With the confusing “progress” we have made in the pandemic, playing it safe and remaining cautious has served the community well and allowed us to stay open. It has only been a couple weeks since we moved our pickup table from the doorway to just inside our shop. It felt like a baby step forward, although mainly spurred by the extreme temperatures outside.

We are tired and a little weary but still in a holding pattern. But we are committed to waiting out the pandemic and and are hopeful for some additional government assistance to make the changes we are in need of to adapt to a modified service style. Doing to-go only for the last 18 months has been a temporary solution to our global crisis. Although we have all adjusted, modified and survived thus far, we continue thinking about and focusing our intentions towards our next iteration. We remain patient and dependent on the health and safety of our staff and community.

We are a very small crew. In the last year we have had two fulltime employees who have been with us five years each. In addition, we have three people who are part time, who also live with me, and a sprinkling of friends that have dependably pitched in. And last but most definitely not least, we have my two daughters who have been integral and vital to the last year, in keeping our doors open and me "sane." These are the vaccinated folks that are keeping us running.

At this very moment, we all are nervous and not so comfortable with “opening up," especially as we existed before the lockdowns. It is really hard to imagine how it all used to operate in such a small space—can’t imagine how we used to squeeze 11 staff and 40 guests inside. As we can see in the world, and now with the dramatic domestic COVID uptick, this pandemic is really not over. Not even close.

We enjoyed the short “loosening," but we just don’t see a path that takes us back to how things were. The old way of our industry has revealed its cracks. And we are not comfortable just plugging those holes and moving on. Working in the service industry will not be the same, nor should it be. Late nights, low wages, rampant substance abuse, unfair, unpredictable and misguided tipping systems, and more entitled and rude customers who just seem out to make overt political statements when going out for dinner.

After non-essential services were mandated to close, I explained to my youngest daughter that I wasn't sure if another customer would ever set foot in our dining room. I was not sure if we would go out of business or if our operation would fundamentally change to survive a new world. My goal when this all went down was to stay consistent and dependable as much as humanly possible. Not changing hours, not changing service style, trying to keep my family, staff and community safe. Trying to stick with what folks know us for, pizza inspired by the farmers. I am so thankful for the community that has supported us through all of this. 

So, ultimately, we are spending days and nights trying to imagine and plan what Tastebud 5.0 will be, in what is our 21st year of operation and 6th year in Multnomah Village. Ideas range from more pizza, more bagels, more breads, chicken dinners, lunch sandwiches, bakery, coffee, private dining, mutual aid, and how we can support disadvantaged communities. We are waiting for a committed pivot to fulfill our goals and not continuing this temporary setup that is keeping us afloat. We are hoping the restaurant revitalization fund will come through, but we are not holding our breath.

I hope we all stay safe, heathy and vigilant and that we see you soon.

Mark

"Forty years ago, on August 1, 1981, I married a tall, taciturn guy from Maine. We’d lived together for four years after dating briefly, as was the custom at the time, and he’s credited with getting me kicked out of my parents house when I called them late on a Saturday night to let them know I wouldn’t be coming home so not to worry. Acquaintances would still occasionally ask if he ever talked, so quiet was his demeanor back then (and so chatty was mine that he had a hard time getting a word in edgewise)."

So begins an essay I wrote for my friend George Rede’s blog, an appropriate kick-off to this end-of-summer-proper month.

A year ago, when we were all sequestered at home and evenings spent sipping cocktails at our favorite bar were eschewed in favor of staying home—and alive—the cocktail of the summer was a Negroni packed with ice and a sliver of lemon zest. This summer, again choosing to imbibe on our front porch due to the risk of the Delta virus, the cocktail of choice is the Daiquiri, accompanied by Dave reading me the weather report from Rivière Blanche.

I've always thought of daiquiris as being big, slushy tropical drinks laced with rum and decorated with tropical fruit, more often than not served with that prerequisite decoration for tropical cocktails, a tiny paper umbrella. Which may be a misperception, at least according to my 1981 reprint of the original 1946 Trader Vics Book of Food & Drink.

Various sources, including Trader Vic's book, lay its origin to Cuba. Not unusually in the history of cocktails, credit for creating the drink itself seems to be clouded. Wikipedia claims its inventor was "an American mining engineer named Jennings Cox, who was in Cuba at the time of the Spanish-American War" and that it was introduced to clubs in New York City by "William A. Chanler, a U.S. congressman who purchased the Santiago iron mines in 1902."

Trader Vic's sidesteps the issue of the daiquiri's creator, but refers to "Constantino of La Florida Bar in Havana perfected this one and it is to his credit that this one rum cocktail competes in popularity with the old standbys such as Martinis, Manhattans and Old-Fashioneds." The book goes on to give four of Constantino's variations on the daiquiri, numbered 1 through 4 in turn, numbers three and four of which have instructions to "serve frappé." Though there's no mention which one Hemingway preferred, it was his favorite cocktail and legend has it that on occasion he downed a dozen in a sitting.

It then gives a recipe for the Trader Vic's daiquiri, which bears the special insignia of a tiny palm tree with a T on one side of the trunk and a V on the other. The front of the book quaintly states that "recipes so marked are original and may not be reprinted without permission from the author." So, much as I would love to share it, I won't.

Luckily for me, though, like Constantino, my husband Dave has created his own version of the daiquiri. A classic three-ingredient cocktail, it substitutes dark rum—we prefer Mount Gay or Plantation over Bacardi or Myers's—for the usual light rum and uses demerara sugar for the simple syrup rather than cane sugar. Shake one up and see if you don't agree with Papa that it makes other people much more interesting.

Good Stuff NW House Daiquiri

2 oz. dark rum
Juice of 1/2 lime
1 oz. simple syrup (stir equal amounts demerara sugar and cold water until dissolved)

Shake with ice; strain into cocktail glass or coupe. Makes one cocktail.